| Artist | Lorenzo Monaco |
|---|---|
| Year | 1420-1424 |
| Type | Tempera on panel |
| Location | Santa Trinita, Florence |
The Bartolini Salimbeni Annunciation (Italian: Annunciazione Bartolini Salimbeni) is a painting by the Italian Gothic painter Lorenzo Monaco, executed just before his death (1420–1424) and housed in the Bartolini Salimbeni Chapel of the church of Santa Trinita, Florence, Italy.
Contents |
The panel followed the same stylistic and narrative pattern of the other frescoes in the chapel, also by Lorenzo Monaco. It shows indeed the Annunciation and, in the predella, other episodes of the Life of the Virgin which were missing from the wall decoration.
In 1998, a restoration performed by the Opificio delle Pietre Dure showed that for the Virgin's mantle a simpler technique was used, implying that the work was perhaps completed by one Monaco's pupil after his death.
The panel is intermediate between the medieval polyptych and the Renaissance altarpiece. It is generally described as the first work in which the subject has a direct relationship with the surrounding architecture[1] Another innovation were the small side pillars with saints, later used also by Masaccio and Fra Angelico.
The central panel depicts the Annunciation in a single painted surface whose rounded top arches recalls however the shape of a triptych. Above the three arches are medallions with prophets, of whom only the middle one (Isaiah) has been identified thanks to the cartouche saying Ecce Virgo [concipiet]. Below the scene is completed by a predella with four scenes: Visitation, Nativity, Adoration of the Magi and Flight into Egypt. These shows typical elements of the International Gothic style, such as the fine arabesques in the drapes and the delicate tonalities in contrast with the dark backgrounds. In the Adoration, the detail of the old king kneeling to kiss the Child is taken from a Ghiberti's tile, and was also used by Gentile da Fabriano in his Strozzi Altarpiece. In the Flight, the palm is taken from the Gospel of Pseudo-Matthew, which describes of the tree bent itself to allow the passage of the holy family.
At the sides, only four of the five compartments of each pillar are painted: the 1990s restoration did not find any trace of paint in the upper ones, so it is likely that they have been empty since the work's execution.
The Annunciation depicts a sitting Madonna, with the angel arriving from the left to stop her reading (a hint to the Holy Books). She looks at God, who is portrayed in the middle arch, surrounded by seraphims, and who sends her the dove of the Holy Ghost.
Predella panels.